The importance of swatches

Guilty confession time...I know I should swatch every time I knit something but I tend to have even tension and usually hit the gauge without needing to change up or down so when I'm knitting from a pattern I tend to wing it. I will swatch if it has a weird gauge for the type of yarn, or it's in an unusual stitch pattern but even then only if it's for something that needs to fit. I don't think I've ever swatched for a shawl pattern even though I know there are lots of reasons why it's useful to spend that time swatching and blocking. Here are some of the reasons:

1. It lets you know if the stitch pattern will make you lose the will to live (with frustration or boredom)
2. It lets you know if your tension is wonky or if you need to make adjustments to the pattern or pick a different size to meet your gauge
3. It can be an outward sign of inward stress that you've been ignoring
4. It's an opportunity to practice the stitch pattern/s, see how they flow together, and find out if they block differently
5. It lets you know if your yarn will work with the pattern which is particularly helpful when you're substituting yarns which I normally am

All that being said I still rarely swatch. The only time I remember swatching was as a relatively new knitter making a cardigan in Jaeger Roma. I swatched, came out bang on gauge, and then I picked up the wrong needle and before you know it I had a gauge square with perfect tension and a cardigan that was a size too small (also I learnt my lesson about knitting in pieces and not being able to try as you go). That cardigan has looked at me reproachfully for the last couple of years until I sent it to a new life with a smaller knitter in Sweden.

Even when I started designing I would do all the maths, sketches, pattern write-up and then knit the whole piece with much frogging, note making, and re-knitting. This state of affairs continued until the last few weeks when trying to put together multiple pattern submissions meant there was simply not enough time in the day to knit the whole piece and I rediscovered the joy of the swatch. As you can see I now have a small and growing collection:

The yarns here are (clockwise from top left) Wollmeise 100% Superwash, some generic 4ply wool of unknown provenance, I think DB Rialto 4ply striped with Noro Kureyon Sock, Rowan Creative Focus Worsted, RYC Cashsoft Aran and on the top Yarn Yarn Crannog

This little heap tells me a few things:

1. I don't have an extensive palette of colours
2. I need to find something to do with the swatches
3. I seem to be on a texture binge at the moment
4. I really don't like knitting with alpaca

Closer examination of two of the swatches reveals more about my 4th point. 

I had in my head a very clear idea of a design - shape, pattern, what to wear it with (even the shoes) and colour. For some reason, even though alpaca makes me sneeze and sheds so much that my knitting chair looks like it's been attacked by a moulting Fraggle, I thought and alpaca blend would be perfect. I'm not sure what I was think but it definitely had something to do with the alpaca sales pitch of warm, light and soft yarn. So I hunted on the great plains of the internet for an alpaca blend in the perfect colour and found the yarn on the right which is Rowan Creative Focus Worsted in New Fern. Now it turns out that I have knit with this yarn before under a previous name (Nashua Creative Focus) but I didn't realise it at the time. So I knit a swatch full of lovely cables and moss stitch and it didn't look too bad...and then I blocked it and like my hair on a humid day it fluffed up and obscured the pattern. It is soft and light and looks like a bowling green with a moss problem but it's not going to work for this pattern. Back to the hunt which took me all the way to a part ball of RYC Cashsoft Aran - smooth, plied, bouncy, round, soft and full of woolly goodness and look at the difference in the pattern definition - perfect! The colour is all wrong for my mental image but since I also don't own the right shoes I can come to terms with that. 

And the lesson of the day is...know your yarns and pick the right yarn for the right job, and don't forget to swatch and check. I'm not sure what the Creative Focus is right for but there must be something...any suggestions?

FO Friday - Mojo knitting

I finished the hat without needing to buy more yarn!

Here it is blocking over the lid of a cake tin. I had about 7 yards left of the yarn which is lots really...

And this is the detail of the centre which has more accurate colours:

Simple cabled hat (improv.pattern)
Colinette Art (0.6 of a skein) in Ischia (I think)
3.25mm and 4mm needles

I don't think it's worth writing up but I might change my mind. Some things I improvise are just 'mojo' knits - I'm in a slump and need to get my knitting mojo back with something simple but lovely.

Audrey Progress

I posted about my Audrey cardigan a little while ago and haven't really mentioned it since but I did make quite a bit of progress before I got distracted by my new design. This is the top of the left front in the Unst lace pattern which I rather like and is incredibly quick to do. Yet to do: the rest of the back and right front, sleeves, button bands and collar. Quite a lot really but since the weather has warmed up nicely I'm less in need of a cardigan

There has also been progress on my new shawl design. When I showed it in my earlier post I'd only done 2 repeats of the pattern (and was making slow work of it) but I've done some more and here it is with 5 repeats completed and then washed and blocked so I could guestimate size and get this out for testing;

I'm rather pleased with it so far although the photo is not brilliant.

And a final update - Personal Remarks and my Waterhouse Mitts are with a tech editor which for these will be the final stage before being released. No progress on my Tortile Beaded Hat but I promise there will be over the summer.

Tutorial - starting a shawl with a garter tab

When I first started knitting shawls this was one of the things that flummoxed me. Why would you faff about with knitting a tiny garter stitch rectangle and picking up stitches (my pet hate) when you can just cast on the right amount to start with? Well I asked on Ravelry and was told that it creates a neater and more flexible long edge on shawls knit from the centre neck outwards. Meh, thought I - bet it doesn't. Two versions of "198 yards of Heaven" later and I was converted.

Recently someone asked the same question in one of my Ravelry groups and I was able to give the same answer I was given all that time ago. As I was about to start knitting up a new shawl design I also took some photos to create a tutorial and here it is:

1. I'm using a 2 stitch garter edge on this shawl so I've cast on two stitches:

2. I need to end up with 13 stitches so knowing I have two stitches cast on (and therefore will have two stitches at each end of the garter tab) I need to knit 18 rows, giving me 9 garter ridges:

3. Now I have a long thin rectangle so I knit the two stitches, then start to pick up stitches down the long side of the rectangle:

4. Once I've picked up one stitch per garter ridge I will have 11 stitches on the needle and just need to get two more. My knitting looks like this:

5. And now I just need to get my last two stitches which I get from picking up two stitches from my cast on edge:

6. Now this looks a little awkward but I have my 13 stitches on the needles and a lovely flexible edge which allows me to start knitting my shawl. This particular pattern is based loosely on the Pi Shawl model so I am increasing on row 3, row 7 and row 15 to start with which starts to create a curved, almost semi-circular shape:

I have now finished the shawl and the yarn/pattern combination hasn't worked so I've overdyed it with green and blue to create a deep turquoise with some inky pools.Finished object photos to follow but here's a picture of the shawl blocking:

Blocking a hat

I have been very bad at blogging but I have been thinking about it and taking photos, just not actually writing any posts.

I've been knitting hats recently which is a little odd and I'm not really a hat person. The cabled hat is in the final stages of testing and will be released shortly as a free Ravelry download and when writing up the pattern I got to thinking about blocking. Rylands was blocked over a large dinner plate balanced on a jam jar (not elegant) and something I learnt from posts on Ravelry. I thought it might be useful to blog the blocking process for a hat here:

 

A finished hat - a bit scrunchy with the yarnovers not that obvious

 The hat has now been soaked and stretched over the lid of a cake tin (other round flat things work well too). A strand of yarn has been threaded through the ribbing like a drawstring

 Here the drawstring has been tightened up to make sure the ribbing stays reasonably tight and the simple lace is stretched out properly

This is the top of the hat after being stretched over the cake tin lid and once the drawstring has been tightened

To allow air to circulate here is the blocking hat balanced on a jar (and in the background our new fence) and looking like a flying saucer

Here is the finished blocked hat. The stitches have evened out and the open yarnover spiral is clearer. The columns of knit stitch stand out better and it generally looks neater

And the final inside shot. The ribbing is neater and still tight and the beaded yarnovers really stand out.

Modelled shots to come...